Inside Out (2015) [Blu-ray]
Animation | Adventure | Comedy | Drama | Family | Fantasy
From the imaginative minds of Disney Pixar comes a major "emotion" picture beyond compare. Experience the hilarious and heartwarming film Peter Travers of Rolling Stone calls "a burst of pure imagination."
Do you ever look at someone and wonder what's going on inside their head? Disney Pixar's Inside Out takes a rollicking journey into the mind to find the answer. Based in Headquarters, the control center of 11-year-old Riley's mind, five emotions are hard
at work, led by lighthearted optimist Joy. She strives to make sure Riley stays happy as she operates alongside fellow emotions Fear, Anger, Disgust and Sadness. It's "an instant classic," raves Richard Roeper, Chicago Sun-Times.
Storyline: Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions - Joy, Fear,
Anger, Disgust and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in
Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school. Written by Pixar
Reviewer's Note: Reviewed by Martin Liebman, November 5, 2015 -- "How do you feel?" was the one question that stumped a recently revived half human, half emotionless Vulcan Spock in Star Trek IV: The Voyage Home. It's no
wonder the question confused him, but confusion is also more than a valid response, and a common response at that, for humans, too, humans who deal with the complex interactions of life and the resultant emotions that are, if one is lucky, straightforward
and readily identifiable but that are instead, more often than not, knotty tangles that can leave an individual overwhelmed. And leave it to Disney and Pixar to take a shot at, and succeed in, sorting them out. Inside Out is the brilliant digitally
animated movie that peeks inside one little girl's head for a look at how life can influence any, and often all, of five core emotions: joy, sadness, anger, fear, and disgust. The movie is a wonderful example of how the cinema medium, when it's at its
best and crafted at the hands of master storytellers, can take a complicated idea and make it satisfyingly accessible, colorful, and fun for the kids while retaining all of the complex, interlocking, deeply personal, and endlessly insightful ideas on and
realities of what it means to live and all of the complications that come with life.
Young Riley (voiced by Kaitlyn Dias) has grown up a happy little girl in Minnesota. She's an integral part of her outdoor hockey team, has several close friends, and is loved by her parents (voiced by Kyle MacLachlan and Diane Lane). But her world is
upset when the family moves to San Francisco. Their new house is small and dirty, the local pizza shop serves only yucky organic pie topped with broccoli, and hockey just isn't the same when played inside and without her familiar teammates. Her life of
joy suddenly gives way to a wave of negative emotions, including sadness, anger, disgust, and fear. And her emotions aren't sure what to do with the sudden life change, either. They're personified in her head and work through a central control while
filing her past emotions and experiences -- "core memories" -- that together make her who she is by way of a series of interconnected "islands of personality." But with the sudden change comes a desperate attempt to maintain her equilibrium. Joy (voiced
by Amy Poehler) feverishly works to keep Riley happy, but her new surroundings, her growing uncertainty, homesickness, and other emotions lead Sadness (voiced by Phyllis Smith), Fear (voiced by Bill Hader), Anger (voiced by Lewis Black), and Disgust
(voiced by Mindy Kaling) to take a greater role in her life that could change her forever.
Inside Out captures the essence of human emotion at its most fundamental and relatable level, though certainly with plenty of added flair and imaginative creativity in support. The film manages to explore one of the most complicated issues humans
have ever faced: what, exactly, goes on inside the head, and even if the movie doesn't really touch on it in a tangible way, in the soul, when emotions run rampant, when life manages to influence -- for better or for worse -- the goings-on in the hear and
now, the memories of the past, and the general perception of where one has been, where one is, and where one may be headed in life. The emotions are personified by cute and colorful characters but beyond that tangible, accessible façade is a very real,
very well defined, very smart examination of life and how a person processes it, how memories are formed and reshaped by maturity and experience.
The film's core adventure that sees Joy and Sadness attempting to regain control of an emotionally wrecked Riley is filled with color and vitality, but the film manages to make practically every step they take mean something in the greater definition of
human emotion: how emotions interact and influence and what they mean to one's equilibrium both individually and collectively. Perhaps most interesting of all is the idea that Joy is, essentially, an island surrounded by four negative emotions in Anger,
Sadness, Fear, and Disgust. What does that say about the world and the way man is wired to live in it? That's 4-1 in favor of the negative responses to life, and the question, really, is how one's emotional equilibrium is satisfied when Joy need work
overtime to compensate for the collective force of the negative emotions? The answer, as the movie suggests, may be in working together, in defining experiences and processing memories not only in the moment, but in an evolving way that colors them with
life's forward momentum. The answer is also, without spoiling anything in the film, that joy isn't simply a product of itself. That leaves the individual better prepared, through experience, to process life, and the responses to it, more efficiently.
Life, essentially, is the collected sum of experience and the individual's ability to better understand it through the collective prism of those five emotions and what they've helped the individual learn along the unpredictable, but always a little more
practiced and prepared than the previous step, journey through life.
Inside Out is more than ideas. The personifications of them are terrific. It's a big world out there in people's heads, and the filmmakers have created for it an amazing landscape that's an approachable, understandable, well defined, and tangible
reflection of high concept metaphysicals. The characters look terrific, of course, each of them relatively simple in construction but packed with little details. More than that, however, is the world in which they operate, where so many big details and
little touches alike make the world tangibly believable in operation and execution, everything designed with function, purpose, and place in mind, not only look. The characters are very well voiced, too. The entire cast brings a familiar but, at the same
time, unique cadence to each character, emoting their core emotional purpose in the voices while also making them friendly and approachable. Inside Out has it all, which is not unexpected from Pixar but the studio has outdone itself visually,
aurally, and thematically in what is arguably the studio's best movie to date.
Inside Out works perfectly on every level. It takes high concept and deeply philosophical ideas on human emotion and how life experiences shape one's approach to, and outlook on, life and presents and explores them smartly and captivatingly while
at the same time making them charming and accessible. The animation is gorgeous and the voice acting is excellent. Disney's Blu-ray release is equally terrific, presenting superb video and audio to go along with a generous allotment of extra content.
Inside Out earns my highest recommendation.
[CSW] -3.2- I did not find this Pixar film to be in the same class as Up or Toy Story, which was far more emotionally engaging. I didn't connect with the characters in any really meaningful way and didn't find the story to be overly
compelling. But I do give Pixar credit for coming up with unique stories to tell. This one clearly works for many folks, just not that much for me. I won't be adding the 3D version to my collection.
[V5.0-A5.0] MPEG-4 AVC - D-Box 8/10.
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